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NEW QUESTION: 1
The origin of the attempt to distinguish early from modern music and to establish the canons of
performance practice for each lies in the eighteenth century. In the first half of that century, when
Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other
modern music. In the German universities of the early twentieth century, however, the reconstituted
collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside
this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription
into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions
associated with those forgotten repertories. The cutoff date for this study was understood to be around
1 750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did
call for obsolete instruments and voices and unannotated performing traditions-for instance, the
spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few
exceptions, late baroque music had ceased to be performed for nearly a century, and the orally
transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in
the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in
the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary.
Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of
oral tradition of performance practice. Beginning around 1960, however, early-music performers began to
encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance
practice had discovered that the living oral traditions associated with the Viennese classics frequently
could not be traced to the eighteenth century and that there were nearly as many performance mysteries
to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and
instrumentalists became attracted to early music, and as many of them graduated from student- amateur
to professional status, the technical level of early-music performances took a giant leap forward. As
professional early-music groups, building on these developments, expanded their repertories to include
later music, the mainstream protested vehemently. The differences between the two camps extended
beyond the question of which instruments to use to the more critical matter of style and delivery. At the
heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite
for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
The passage mentions all of the following as aspects of performance practice of the early twentieth
century EXCEPT for
A. varying the delivery of music to suit particular audiences
B. deciphering outdated music notation
C. reestablishing unannotated performing traditions
D. transcribing older music into modern notation
E. spontaneous vocal and instrumental ornamentation
Answer: A
Explanation:
Although performance practice did indeed involve varying the performance of a work of
music from one time to the next (by including spontaneous vocal and instrumental ornamentation), the
passage neither states nor implies that how the delivery of music varied from time to time depended upon
the particular tastes of the audience. Thus, choiceD.is unsupported by the passage.
NEW QUESTION: 2
MyCo, a telecom company, has introduced 1GB and 3GB data plans in one of their stores and on the website.
MyCo decides to use adaptive models for both offers.
As a Strategy Designer, you are interested in how the models are performing in different channels.
Which three tasks could you perform? (Choose Three)
A. Examine the active and inactive predictors for the 1GB data plan model.
B. Check the performance of the 3GB data plan for the last month.
C. Change the decision strategy because the performance in the web and store differs significantly.
D. Identify the models that are performing well or poorly in the store channel.
E. Execute a simulation in Visual Business Designer and compare, in delta mode, the performance difference between the 1GB and 3GB data plans.
Answer: A,B,C
NEW QUESTION: 3
DRAG DROP
Answer:
Explanation:
NEW QUESTION: 4
다음 중 초기 자본이 제한된 스타트 업 소프트웨어 개발 조직의 요구를 가장 잘 충족하는 클라우드 배포 모델은 무엇입니까?
A. 하이브리드
B. 커뮤니티
C. 개인
D. 공개
Answer: D